Jeff Belanger

News, Views, & Interviews

Jeff on Writing and Publishing, News, Views, & Interviews

Copyright Crash Course

One of the most frustrating aspects of being a working writer is having your work stolen, misappropriated, or otherwise pilfered. With the proliferation of the Internet, the sickness of copyright infringement has become as widespread as the common cold. I thought we all learned about the basics of copyright in middle school and high school (and hopefully we learned stealing is wrong by pre-school), but, sadly, it seems as though many adults who should know better simply don’t. Important disclaimer: I’m not a lawyer. This isn’t legal advice. But to quote Jay-Z’s song “99 Problems,” “I ain’t passed the bar, but I know a little bit…” These are guidelines to help you better understand an overview of copyright. I’ve seen my own work appear on Web sites, in books, and referenced in lectures, sometimes without giving me credit, and sometimes giving me credit, but permission was never asked. Bottom line: it’s illegal, it’s unethical, and it’s sloppy on the part of the person doing the stealing, or the publisher producing the work. Here’s the easiest rule of copyright that I can come up with: if you didn’t write it, draw it, paint it, compose it, sculpt it, take the photo yourself, or commission any of the above with the understanding that you would own the work, then it doesn’t belong to you. There is such a thing as fair use and citation when it comes to others’ work, and I’ll get to those shortly. In fact, I’ll get to them right now… Public Domain When a work is in the public domain, it means that you are free to use it, and no reproduction permission is required. However, you still need to cite the source and give credit where it is due no matter how long ago the author/artist who created the work died. If something was published before January 1, 1923, then there’s an extremely high chance that the work is in the public domain. There are exceptions on both sides of that date, so you’ll need to do your research on whatever work you want to include and/or reference. For a good article on public domain, check out Wikipedia. http://en.wikipedia.org/wiki/Public_domain Fair Use “Fair Use” is a legal term meaning you don’t need permission from the work’s author and/or publisher, but you do need to cite your source. There are limitations, of course. For example, you can’t take the latest copy of Harry Potter, write your own one-paragraph introduction, and slap quotes around the whole book and call it fair use. In a book-length work, you can quote up to 300 words of text as long as you give full credit to the author, source, and publisher. There are varying styles on how to do this, but give credit to all three and you’ll be okay. Example: In Jeff Belanger’s book, The World’s Most Haunted Places (New Page Books, 2004), he writes, “…up to 300-word quote here.” With magazine, newspaper, and online articles, you’re limited to 150 words, and you still need to cite the author, source, and publisher. Here’s a good article to check out on copyright and fair use from the Houghton Mifflin company: http://college.hmco.com/instructors/ins_custompub_prepare_script_permission.html People Just Don’t Get It “You should be honored I used your work.” “Putting your work on my Web page helps get you exposure.” “I don’t see what the big deal is.” All arguments I’ve personally heard from people who have infringed on my copyright. These arguments come from people who generally don’t make money at writing, don’t understand the value of good content, and are new to the realm of research and writing. The goal of publishing anything, be it movies, a Web site, a magazine, a book, music, or any other media, is to provide unique content that people can’t get anywhere else. If you’re good at publishing, you build a big audience, you can sell advertising, you can sell subscriptions, and everyone in the food chain makes money from the publisher on down to the author. If you’re bad at publishing, you go out of business quickly. So if I put an article on my Web site, the value of my Web site goes up, because there’s nowhere else on earth that a reader can go to see that content but right here on my site. If someone copies the article and pastes it into their Web site or message board, now people can go elsewhere for that same content and the value is diluted. It’s unfair to the publisher who paid for the unique content, and unfair to the author who agreed to do the work knowing it would only appear in a specific publication. It’s also against the law. How Do You Know Something is Copyrighted? If someone gets completely drunk at a bar and jots a poem down on a paper napkin using pink lipstick to write with, it’s copyright protected. Now, if the person didn’t sign their work, and you found it on the ground while cleaning up, it’s impossible to know who the copyright belongs to. But it’s still not your work. If you wanted to reproduce that drunken poem somewhere, ethically, you should still cite the source: i.e., I found a napkin on the floor of TK’s bar in New Haven, Connecticut on March 8, 2007, it read: “Blah, blah, blah…” When it comes to litigation, the person whose work was infringed upon simply needs to prove that they created their work before you did. If their work appears in a book, magazine, newspaper, or other dated material, it’s pretty easy to prove, and you will lose the lawsuit if you took their work without asking. Even if an article doesn’t have the little “c” with a circle around it (©), the work is still copyright protected. What About Linking to Articles on the Web? You never need permission to link your Web site to an article on another Web site. In fact, one wildly popular Web site, www.drudgereport.com, has made a name for

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Jeff of the Dead

Dammit… just when you think you’re healthy, and everything is going along just fine… you get turned into a zombie.  Thanks to Brett of Bhold Designs for bringing out my good side. You can also check this sick puppy out on MySpace: http://www.myspace.com/bholdbrigade

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I am Now Free to Move About the Country

Southwest Airlines. Their motto and enchanting ding tone are becoming as familiar as McDonald’s golden arches, as Budweiser’s Clydesdales, or as Nike’s swish logo. I discovered yesterday that their slogan is more literal than I ever would have guessed. Thanks to Southwest, in the span of a 15-hour period, I saw two oceans, Canada, the Great Lakes, the Great Plaines, the Grand Canyon, Las Vegas, the Rocky Mountains, the Hotel Del Coronado, the painted dessert, and Mexico. It’s a funny story, really. My flight left Providence, Rhode Island, at 6:40 in the morning bound for Tucson, Arizona, with a layover in Chicago’s wind and wild weather. The flight took us to the edge of the Canadian border, over the great lakes, and down to Chi Town. The plane got in okay, but when I landed I saw that my connecting flight to Tucson was cancelled. In fact, any flight scheduled after 10:30 AM was cancelled. Oy. Now what? “We can send you to Las Vegas where you can try and get on standby for one of the three flights heading to Tucson,” the Southwest agent said. I knew staying in Chicago meant that I could be there for days depending on when the impending snow storm was going to let up. Okay. Las Vegas. Big buffets. Gambling. I could get stuck there. Our Sin City-bound plane was one of the very last flights to leave Chicago before the storm. They flew a southern route, so we got a great look at the Grand Canyon, snow rimmed, painted, amazing. As the plane neared touchdown I saw the famous Las Vegas strip. The Bellagio, the MGM Grand, and the Excalibur all beckoned from a distance. “All the flights to Tucson are completely booked,” the Southwest agent told me in Las Vegas. “But I can get you over to San Diego where you can catch a flight back to Tucson… the flight leaves in 40 minutes.” Okay, San Diego… nice weather. Good Mexican food. I could get stuck there. The flight was fast, and there was Mexico, Southern California, and the Pacific Ocean. Nice. “Yes, we can get you on the next flight to Tucson. It leaves in an hour.” Woo hoo! Tucson. I could get stuck there. At 5:30 PM the plane touched down at my final destination. At baggage claim I made another discovery. Not only was I free to move about the country, but so was my luggage. While I was checking out various oceans and national points of interest, my bag thought it would be fun to take some different flights, to see some other cities. So I hit the “Gas City” truck stop off of I-10 and picked up a “Gas City” t-shirt (so I could change clothes), and some toiletry basics. That night I’d be roughing it, I guess. Southwest called me the morning to let me know that my bag had indeed finally arrived. I asked the company representative (and my bag) where they had gone, neither said a word. However I saw lipstick stains on my luggage and it smelled like booze. So wherever it went, it must have had a good time. Between my bag and myself, we freely moved about the country, all in a single exhausting day.

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The New England Patriots Will Become an Adjective

Since the last football game of the regular season, the media has been running with a David (whichever team the Patriots are playing) versus Goliath (the Patriots) motif. Each week, Goliath has prevailed. The Patriots are now the first team to ever go 18 and 0, and they are one win away from a perfect, undefeated season — something that has only happened once before (back when you could only win 17 games in an entire season) in the National Football League. Of course, this Patriots team also broke a slew of records along the way: most points scored by a team in a single season, most touchdown passes thrown by a quarterback (Tom Brady), most touchdown receptions by a single receiver (Randy Moss), and most consecutive regular season wins (dating back to the 2006 season). This is the greatest team to ever play the game. That’s not opinion, that’s the numbers. No other team has won this many games in a row, or put up this many points. And here’s the hardest fact to accept: if the Patriots lose the Super Bowl, all of these accomplishments just become a footnote in NFL history. If they win, then the ’07 Patriots will be talked about for decades to come (just as the ’72 Miami Dolphins have been talked about for 35 years — something that will change if the Patriots win in two weeks). No matter what happens in the Super Bowl, the Patriots are destined to become an adjective. For you non-writing types, here’s a reminder: an adjective is a word that modifies a noun. It can enhance, qualify, specify, or diminish the noun. For example: That is a fat man. In this example, “fat” is the adjective used to describe the man. If the New England Patriots win the Super Bowl, their name will become an adjective synonymous with greatness, dominance, and perfection. As in: In Patriots-like fashion, Bertha Teidlebaum’s baking outshined all the others in the church bake-off. Or: The Red Sox looked Patriots-esque in last night’s game when they beat the New York Yankees 18 to 2. Shoot, even a modified version of the team name may take on a whole new meaning. Imagine the coach of the Indianapolis Colts trying to get his team fired up for the first game of next season by saying, “Now let’s get out there and be Patriotic!” (Suitable to, or characteristic of, the Patriots.) Every overly-dominant football team over the next decade or so will be described with the word “Patriots” in some way. Then there’s the flip-side. It’s almost too horrible to think about, but the reality is this: if the Patriots lose to the New York Giants in the Super Bowl, “Patriots” will come to describe something that is hands-down better than all of its competitors, but comes undone the one time it really counts. A horrible adjective indeed. Imagine a stockbroker saying something like, “I put in the order for 10,000 shares of GE just an hour before the stock price tripled on some great market news. But I totally pulled a Patriots and forgot to confirm the order so it never went through.” Any football team that blows a big lead will do so in Patriots-like fashion; Patriotism will come to mean something terrible; and any number one seed in any future playoff game will have to sit through pre-game speeches from coaches who warn them not to be Patriotic. Get it done. The Patriots are the better team. All the numbers prove it. But any sport fan knows that on any given game day, things can go wrong. The Patriots won’t make the mistake of under preparing for this game, they’re too well coached and disciplined for that. But on any given Sunday things can and do go wrong. Even David slew Goliath once. The Patriots are bound for immortality on February third. That’s already determined. Whether it’s fame or infamy now rests in their own extremely capable hands. Go Goliath! And for God’s sakes watch out for rocks.

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You Aren’t Special

That’s right… sorry to be the one to tell you, but you’re not special. There are many other people who can do what you do. There are people who can do some of the things that you do even better than you. Accept this fact and you’re on the way to getting better at everything you apply yourself to. Ego is the number one detriment to your growth and progress. Don’t get me wrong, confidence is a good thing, and ego can be a natural and normal extension of that confidence, but as soon as you think you’re the best at something that you do, you cease striving, you stop learning, and you limit your own potential. I’ve seen this phenomenon in every work environment I’ve ever been in, and I’ve also seen this in interpersonal relationships. When you think you’re great at anything… you become complacent. Knowing I’m not special has made me more competitive, more cooperative in my business and personal dealings, and it’s made me apply myself to the things I’m most passionate about. If I ever felt that I had done my best work at any occupation, then it would be time to hang it up. I wake up each day and remind myself that I’m not special, so I work harder, I forge alliances and relationships that will help me get better at what I do, and I strive to push my successes to greater heights than they’ve been before. Seeing progress is where I find satisfaction, not in any singular accomplishment. Accept that you’re not special, and you’ll be ready to really start kicking some butt.

Jeff on Writing and Publishing, News, Views, & Interviews

Jeff on Writing and Publishing

If you’re reading this, you probably fall into one of three categories: 1. You’re my mom, who reads all my blogs. 2. You’re one of my six loyal readers who check in and skim every few months. 3. You’ve been sent a link directly to this page because you emailed me with questions about writing and/or publishing. Please don’t take the link to this page as a dismissive slight. I’ve addressed questions about writing and publishing in many emails, so I figured having one place with all of my thoughts on the subject would help everyone. First of all, I’m going to assume you’re way past the “Where do I get ideas on what to write about?” stage. If you’re at that point in the journey, I can’t really help you. All I can suggest is to live life and pay attention. On any given day there are dozens of stories floating around you. You have to pick one that resonates with you and dive in. Second, I’m going to assume that you want to take writing seriously enough that you wish to be paid for it. This is a job, it’s work, I believe it has value, and those who do the work should be paid for their time, expertise, and effort, just like in any other occupation. Don’t get me wrong, I love the job (most of the time), but I think of this as a job because it keeps me serious and focused when I have to make deadlines (and mortgage payments). I’m going to speak mostly from the perspective of a non-fiction writer because that’s where most of my experience comes from, but you fiction writers will find plenty in here that relates to that part of the publishing world as well. If you’re ready to get serious, there are three books that I recommend every writer own: 1. How to Write a Book Proposal by Michael Larsen ($10.87 on Amazon) 2. The Elements of Style by Strunk and White ($3.90 on Amazon) 3. Stephen King On Writing ($7.99 on Amazon) With non-fiction, you don’t usually write the book before selling it — even if this is your first book. I know that may sound crazy, but bear with me. Let’s say you want to write a book called The History of the Fender Stratocaster Guitar. You’ll need to formulate a one-page pitch letter that offers a sexy introduction that will get an editor or agent excited about your idea, a paragraph that includes your writing and subject matter expertise, and a closing asking if the editor or agent would like to see a proposal for your book. Next comes the proposal which includes competition analysis, sample chapters, your full bio, an outline, and a few other items that are necessary for a publisher to decide whether they’re willing to invest thousands of dollars in time and money into your book. I could go into great detail on the proposal here, but instead I’m going to direct you to Michael Larsen’s book, How to Write a Book Proposal. It’s all in there. Formatting, type face, order, plus a lot of insight on the business. Just do what it says. Don’t deviate. If you format your query and proposal the way Larsen suggests, you’ll easily be in the top 40% of submissions most publishers receive. There’s a certain style and format that pros use, Larsen will explain it to you. Here’s an analogy I like to use regarding the pitch and proposal: You may be the most qualified financial analyst in the world, and if you write your resume out in crayon, it is possible that you still might get the high-paying job you’re going for, but you’ve already stacked the chips against you by not following proper protocol. Same in publishing. If you go to Kinkos and get your book bound, if you format it to look like a book, and get your spouse to help you design a cover, it’s the same as submitting your resume in crayon. You’re showing off how much you don’t know. Read Larsen’s book. Do what it says. That’s how I got my first book deal. Beware of publishers that don’t want first-time authors to go through this process. Remember, if a potential deal is too good to be true, it is. If the publisher doesn’t want a proposal, it may be a self-publishing bait-and-switch scam, or maybe they aren’t willing to pay you anything and they’re hoping you’ll fall for it. The proposal process is a good one for everyone involved. It forces you to think your book through. The other reason to propose a book before writing it is because the publisher may mostly like your idea, but they may want you to include other subjects, or maybe they’d be more interested in your book if you went in a slightly different direction. If you write the book first, the publisher is sometimes forced to take it or leave it as-is. Remember the golden rule here: He who has the gold makes the rules. The publisher has put out more books than you ever will. They know their markets, they know what works. Trust them. Or at the very least be accommodating to those who “have the gold.” At this point you’ve read Larsen’s book, you have your idea down, you’re working at your writing, and now you need to go after the market. Get yourself to a big bookstore. Preferably one with a coffee shop. Bring a little notebook and a pen. First, go find my books and face them out so browsers can see the covers. If they’re on low shelves, place them higher up. Thanks! Now… back to you. Find other books like the one you’re going to write. In our The History of the Fender Stratocaster Guitar example, you would be browsing the music section. Or the instruments section. Grab every guitar book and flip it open to the first few pages. First,

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Snoop Dogg’s Seduction

Every once in a while a song comes along that transcends a genre. A song so powerful, that its hook is almost instantly burned into our somewhat-permanent memory banks. In most cases, we would be talking about a really great song—an “instant classic” to borrow an industry cliché—but not always. And not in this case (bear with me). Some songs are so bad, so utterly cheesy, that they also become unforgettable. Examples include: “Macarena” (both the song and the dance), “MacArthur Park,” and “Mambo Number 5.” No musical genre is immune from this phenomenon. Recently, I experienced a new song that falls into this instantly unforgettable trash category. This one comes from rap mogul Snoop Dogg and is called “Sensual Seduction.” In the interest of full disclosure, let me say that I’m actually a big fan of the Doggfather. His song “Gin and Juice” is one of the very few rap songs that is still relevant and good almost 15 years after its debut. Very few rap songs have a shelf life of more than a few months. “Gin and Juice” is truly a classic. Snoop’s new song “Sensual Seduction” also won’t be forgotten anytime soon. If you haven’t experienced the song yet, you’ll need to go hear it before you continue reading. You can hear it and watch the video for free on YouTube. Go check it out, I’ll wait for you to get back.  http://www.youtube.com/watch?v=pKz-RXSeIYA Pretty bad, huh? But dammit, you’ll be hearing that melody and the electronic effect on Snoop’s voice the rest of the day and into tomorrow. You’ll call friends over to show them how wonderfully awful the new song is. You’ll forward the link and watch it again before you hit send just to be sure. You’ll watch it and listen to the song again and again just to laugh at the absurdity of the genre-bending attempt by one of the biggest names in rap music. And each time you expose yourself to this song, its infection will grow onto you, in you, and through you. You won’t soon forget “Sensual Seduction.” Snoop’s new song will be intermingling with truly good songs that are stored in your permanent memory to the point where a few weeks or months down the road you’ll question whether “Sensual Seduction” can really be a bad song if you’re still thinking about it and hearing the melody so many weeks later. The line between good and bad art will blur because we’ve learned to equate memorable with good. Because the song is written and performed by Snoop Dogg, there’s a level of trust there. We’ll give it a chance. Heck, we’ll probably give anything Snoop does a chance because he’s so good. And there’s the rub. Snoop just seduced us… again. Eh, maybe the new song ain’t so bad.

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Down a Pint, But Feelin’ Fine

‘Tis the season of giving. ‘Tis the season for every charity under the sun to hit you up either via mail, email, telephone, or in person as they wait outside of shopping centers ready to open fire on you with guilt-laced words of mass destruction (WMDs). “Hi, would you like to help a starving child this holiday season,” the charity collector might open with before unleashing the real blow: “or would you rather see the poor, innocent creature die?” So then you’re left with a choice: give to this charity you may know nothing about, or walk away worried about what the passers-by may be thinking of you. Don’t get me wrong. Charity is a good thing. A very good thing. But it’s important that you do your homework before giving. Some are outright scams, others aren’t exactly unethical but their overhead is so high that very little of your contribution makes it to the intended needy. Which is why I usually don’t mind giving blood. There’s just not many ways a group can misuse a blood donation. I have a somewhat rare blood type: A Negative. About 85% of Americans are Rh positive, and of the remaining 15%, about 6% of us are A Negative. So the Red Cross calls me pretty regularly asking me to give. I feel it’s my duty to give blood because I need to cover for all of my Jehovah Witness friends who won’t give blood because of their belief system, and I need to cover for lots of other people who just don’t give for no specific reason. I started giving blood regularly about two years ago and I set a goal for myself: to give at least 12 times. Today marks my seventh time donating which means (for those of you mathematically inclined who are paying attention) that I’m more than half way there. The reason 12 is my magic number is because that’s the average number of pints in an adult male. Once I’ve given 12 times I can say I gave it all. After that, if I need to turn the Red Cross phone solicitor down for any reason, I won’t have any guilt. I’ve learned that the Red Cross has a scale similar to the U.S. Government’s color-coded terror alert level system. The Red Cross’s level of need relative to the amount of blood in storage falls under the following categories: 1. Critical 2. Desperate 3. Emergency 4. We’re all doomed Today they were only at the “Critical “level which means all is well with the blood supply. Besides alleviating your guilt, there are other good reasons to give: one pint of your blood can save up to three lives, you’re helping your fellow man and getting nothing for it besides juice and cookies, and last but definitely not least, you become a cheap date. As I type this I’m sipping a Samuel Adams Winter Lager and it’s going right to my head. Cheers and happy giving!

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Whadaya Got? I’ll Buy.

I’m a sucker for any kid selling anything. Probably because I remember going door-to-door as a kid for the Cub Scouts, my school, my sports team, or whatever other fundraisers I was involved in. I’m by far the easiest mark in my neighborhood. The kids all know that no matter what kind of junk they’re selling, and for whatever cause, I’ll buy. Not only will I buy, I’ll buy from all of them. If three kids from three different families are all selling something for the same cause, I’ll buy something from each of them. I can’t help it. Maybe I’m just a capitalist at heart, and seeing kids trying their hands at sales just sparks nostalgia. But the other day something happened that has shaken my suckerishness (if there is such a word). I was walking out of Stop and Shop and ran into a group of Cub Scouts selling pop corn. “Hi, would you like to buy some pop corn?” the young salesman said. Sure,” I said. “Whadaya got?” “We have this one, and this one, and this one,” he said. He pointed to a box of microwave popcorn, a bag of kernels for the old-fashion fans, and a small tin of chocolate covered popcorn. “Chocolate cover sounds good,” I said. “I’ll take that one.” “Sixteen dollars, please,” the boy said. Ouch. $16 bucks for a small tin of popcorn and now I was stuck. I can walk away and look like a cheapskate or I can pony up the $16 and feel ripped off. Either way I lose. As the dad came over to take my $20 and get me my change, I asked if the boys were going for their Gouging Badge. I got an uncomfortable laugh back. A laugh that suggested he didn’t like the prices either. “Thanks for supporting our troop,” the boy said. He showed a toothy smile. The capitalist in me smiled back and my heart melted again. It’s a good thing the kid wasn’t selling something really expensive or we would all be in trouble. I walked away with my $16 chocolate-covered popcorn — the stuff tastes good, I’ll give them that. Or maybe I’m still trying to justify being grifted by a kid.

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My Schedule for the Rest of October

Hey everyone… I know I haven’t blogged in a while. Sorry about that if you’ve been checking in. It’s October and I’m like a tax accountant in April. I wanted to make a quick post about some of the events and appearances I have coming up between now and the end of the month. I hope to see/hear you all at every single one of them!  -Jeff October 16: Jeff Belanger on KSNI in Santa Maria, CA, Jeff Belanger on WSEI 92.9 FM in Olney, IL October 17: Jeff Belanger on WKIS 99.9 FM in Miami, Florida, Jeff Belanger at Bellingham, MA Library October 18: Jeff Belanger on WPCK 104.9 FM in Green Bay, WI, Jeff Belanger on WQRL 106.3 FM in Benton, IL October 22: Jeff Belanger on SNEP Live Radio, Jeff Belanger on WGRR in Cincinnati, OH October 23: Jeff Belanger on WLPO in Oglesby, IL, Jeff Belanger on WPVL 107.1 FM in Platteville, WI October 24: Jeff Belanger at the Mendon, MA Library, Jeff Belanger on WNDV 92.9 FM in South Bend, IN October 25: Jeff Belanger on KOA-AM in Denver October 26: Jeff Belanger on WTBQ in Florida, NY, Jeff Belanger on WSUL in Monticello, NY October 28: Jeff Belanger on the Travel Channel October 29: Jeff Belanger on WFON K101.7 FM in Fond Du Lac, WI, Jeff Belanger on WTRC in Elkhart, IN, Jeff Belanger on KFXJ 104.5 FM in Wichita, KS, Jeff Belanger on KNOX AM 1310 in Grand Forks, ND, Jeff Belanger on WRIF in Detroit, MI, Jeff Belanger on WCUB in Manitowoc, WI October 30: Jeff Belanger at Bellingham, MA Library, Jeff Belanger on CFRB Radio with Richard Syrett, Jeff Belanger on WLS AM 890 – Chicago, Jeff Belanger on NECN TV October 31: Jeff Belanger on KTAO 101.9 FM in Taos, NM, Jeff Belanger on WFHN in Fairhaven, MA November 2-3: Virginia City Ghost Conference – Nevada

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